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Materials of Ernst Felsberg’s and the Art Cabinet of the UL collection

Materials of Ernst Felsberg’s and the Art Cabinet of the UL collection

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Ernst Felsberg (1866–1928)
Felsberg, Ernst. "Ievads grieķu mākslas vēsturē", 1926
Felsberg, Ernst. "Grieķu mākslas vēstures literatūra", 1926
Felsberg, Ernst. "Grieķu vāzu gleznas", 1927
Pfister, Kurt. Die Mittelalterliche Buchmalerei des Abendlandes, 1922
Reproduction of the painting by Lucas Cranach the Elder (1472–1553) “Rest on the Flight into Egypt” (oil and tempera on limewood, 1504). This is the first painting known to bear this artist’s signature
Reproduction of the painting “Heimkehr” (“Homecoming”, oil on cardboard and panel, 1888) by the German symbolist Hans Thomas (1839–1924)
Photo reproduction from the stocks of the Art Cabinet of UL – Plastic model of Pompeii (Naples National Archaeological Museum, years 1861–1879)
The street of tombs in Pompei, looking south from the northern end – “Strada dei sepolcri, Pompei” – reproduction of a postcard (the end of the 19th/the beginning of the 20th cent., Stengel & Co, Dresden; possible– from U. Gianni’s watercolour)
St. Paul’s Cathedral in Rome
The Great Altar of Zeus, at Pergamon, ca. 200 B.C. East frieze.Gigantomachy, or struggle of the gods and the giants. The second largest sculptural composition after the famous Parthenon marbles of Athens.
Monochrome reproduction of the Attic red-figure amphora painting “Hermes and the Satyr Oreimachos”. The masterpiece of so called Berliner Painter (540-445 BC, pseudonym given to the location of his most famous paintings) discovered in Vulci necropolis, Etruria.
Reproduction of “Madonna in the Rose Bower” (“Maria in der Rosenlaube”, mixed technique on panel, ca. 1448-50) by the late Gothic style German painter Stefan Lochner (1400/10?-1451). Lochner was one of the most important German artists before Albrecht Dürer.
Reproduction of “Lais of Corinth” (oil and tempera on limewood, 1526) by Hans Holbein the Younger (1497-1543). The portrait of the Corinth hetaira of the 5th century BC is created under the influence of Leonardo da Vinci, in his ‘sfumato’ (smoky) technique.
Reproduction of the work of early Italian Renaissance painter Fra Angelico (ca 1395-1455) “Resurrection” (“Resurrezione”. or “Le donne al sepolcro”, tempera on wood, ca. 1420-1440 ).
Reproduction of the painting “At the beach. Fisher Woman in the Antium” (“Am Strande. Fischermädchen in Antium”, oil on canvas,1870) by the leading German neoclassical painter Anselm Feuerbach (1829-1880), an artwork from his Italy period.
Reproduction of “Adoration of the Kings” (oil on poplar wood, after 1500) by Francesco Francia (ca. 1448-1517), Renaissance painter, medallist, goldsmith.
Reproduction of the small cabinet painting “Saint George and the Dragon” (“San Giorgio e il drago”, oil on panel, 1504–1506) by the Italian Renaissance painter Raphael (1483-1520). In the early stages of his career Raphael painted a number of tiny cabinet paintings. This painting was commissioned as a gift for King Henry VII of England, and it signals Raphael’s growing prestige.
Reproduction of “Portrait of Simon George”(or “Portrait of George of Cornwall”, oil and tempera on oak panel,1536-37).by Hans Holbein the Younger (1497-1543). Holbein is best known as one of the greatest portraitists of the 16th century.
Reproduction of the portrait of Elisabeth of Austria, Queen of France (oil on oak panel, ca.1571) by François Clouet (1510-1572), a French Renaissance miniaturist and painter, particularly well known for his detailed portraits of the French ruling family.
Odyssey Landscapes. Chromolithographies of ancient narrative fresco-friezes from the Esquiline Hill in Rome (Die Antiken Odyssee-Landschaften vom Esquilinischen Hügel zu Rom. München : Theodor Ackermann, 1876)
Odyssey Landscapes. Chromolithographies of ancient narrative fresco-friezes from the Esquiline Hill in Rome (Die Antiken Odyssee-Landschaften vom Esquilinischen Hügel zu Rom. München : Theodor Ackermann, 1876)
A thesis “The Brothers Gracchi”, defended at Dorpat University in 1910 by Ernest Felsberg (1866-1928), the first Rector of the University of Latvia (Юрьев : Типография К. Маттисена, 1910)
Views of classical Greek and Roman sites and themes. Album for educational purposes (Album des classischen Alterthums zur Anschauung für die Jugend, besonders zum Gebrauch in Gelehrtenschulen. Stuttgart : Hoffmann’sche Verlags-Buchhandlung, 1870)
Ruins of Ancient Rome. An exquisite collection of sepia-tone photogravures by the famous photographer of the 1920s/1930s, Adolf Lazi (1884-195 5) (Roma. Ruinae. Stuttgart : Roma-Kunstverlag, [1926?])
Ruins of Ancient Rome. An exquisite collection of sepia-tone photogravures by the famous photographer of the 1920s/1930s, Adolf Lazi (1884-195 5) (Roma. Ruinae. Stuttgart : Roma-Kunstverlag, [1926?])
Prof. Peter Schmidt’s (1869-1938) thesis, presented for a master’s degree at the University of St. Petersburg, issued as a textbook in Vladivostok (Опыт мандаринской грамматики с текстами для упражнений : пособие к изучению разговорного китайского языка Пекинского наречия. Владивосток : Типография Т-ва Сущинский и Ко, 1902)
“Ancient Coins as Art Work”. The classics of numismatics by K. Regling (1876-1935) (Die antike Münze als Kunstwerk. Berlin : Schoetz & Parrhysius,1924)
“Ancient Coins as Art Work”. The classics of numismatics by K. Regling (1876-1935) (Die antike Münze als Kunstwerk. Berlin : Schoetz & Parrhysius,1924)
A topical series “Decorative Art Patterns”. The colourful collection of figurative, ornamental, decorative models of all times issued quarterly for nearly 40 years (Dekorative Vorbilder : farbige Meisterwerke aus alter und neuer Zeit. Stuttgart : Verlag Julius Hoffmann,1890-1928)